This morning, on NPR’s The Takeaway, I listened to a discussion about the riveting balloon boy hoax, specifically on whether bloggers too are exploiting their children by writing about them. Mom 101, a guest on the show who uses her own children as fodder for her blog, made the following fascinating statement: “Privacy is the new currency. People are giving it away for free.” It’s a clever line that reminded of the old George Bernard Shaw story whose punchline is, “We have already established what you are, Madame. Now we are merely haggling over the price.” Mom 101’s statement may even be partly true, yet like so much else we hear and think clever these days, it makes little sense. How can privacy be currency if everyone and anyone can and does give it away?
As someone who actually lost a child, I am truly horrified by the spectacle of a father exploiting his child by simulating the boy’s death for the sake of publicity. As a writer whose last novel, Saving Elijah, was inspired by my son’s death and who chose to write fiction instead of memoir partly for creative reasons and partly to protect my family, I feel compelled to say that the important issue of privacy is one that serious writers and many bloggers, myself included, struggle with every day. It deserves a more serious discussion by NPR, which I usually enjoy and which is one of the only media outlets where you can still find serious, unbiased journalism and intelligent, stimulating talk.
Recently I’ve been working on a kind of memoir in essays. Writers vary widely in their opinions on the extent to which one should use family as fodder for one’s writing. One friend says, “We write our truth, no matter who it offends,” while another says, “Always protect your family.” I suspect that if I were to actually publish the memoir I’ve been working on, it would offend several family members, friends, and acquaintances, even if I see it as truth and/or art. Yet I have I have so far resisted blogging in as personal or revealing a way as I am doing in the memoir. Why?
I have spent quite a bit of my life “becoming” a writer, studying craft, honing a “voice” and attempting to make “art” that will illuminate life in some way. With few exceptions, I haven’t offered my blog readers (what few of them there are) intimate details of my life the way I am currently doing in writing a memoir, because I know in my heart that we value what we pay for, and we pay for what we value. I cringe every time I look at Amazon.com and see my last novel, very well reviewed but now out of print and obscure, offered by third parties at 99 cents. Wow. All my sweat and suffering now being given away for less than a dollar a pop. (Let’s leave aside the fact that the “process” of writing the book effectively saved my life after my son died.)
At the very least, people ought to at least understand the huge difference between a man who would creepily and willfully exploit his own child’s potential death just for the publicity; those who shout their intimate stories on Jerry Springer or reality television for the money or fifteen minutes of fame; those who tell their intimate stories for free or for whatever they can get out of it on a blog; and those who labor over a memoir that will possibly be published for say, a $25,000 advance. If they’re lucky.
Most people who offer their own lives for public viewing (balloon boy father excluded) may be telling their version of truth, even those who appear on Jerry Springer, but the difference between a memoir writer (and some bloggers) and the other examples above is not just in intent to tell truth, but in content, craft, art, motive, presentation, and in control over what to include.
Now here I may be showing just how out of touch I really am, since I recently received this rejection from a would-be agent for my memoir in stories.
I had the chance to read your stories this week and I really appreciate the chance. You are an amazing writer with an excellent voice. Having said that I really fear that I wouldn’t find the right editor for this. A few years ago, I would have jumped at the chance to represent this collection, but in these tough times it seems to require a huge media platform to convince a publisher. They want authors to have websites with 40k plus names and blogs that reach millions.
Now there’s irony for you.